To put it shortly, there is nothing that sounds like Lucisferrato. Layered and processed voices form the spine of this project's unique and very... (continued)
Power electronics side-project of Mürnau / Eisengrau. Mangled shouted vocals drowned out by blasts of rumbling noise. Limited to 200 hand-numbered copies.
A pleasant release from this New Mexico based project. Soaring waves of lush sounds from processed instruments such as pianos, accordions and violas. There's a... (continued)
Thick undulating bass sounds, discreet sonic effects and gentle melodic structures come together for this slab of subdued ambiance.
Long-delayed CD album from this French ambient noise project whose previous material includes a tape released years ago on Slaughter and some compilation appearances, including... (continued)
Second release from this band fronted by Igor Krutogolov, known for his many collaborations and solo projects in the Israeli experimental scene. This is energetic, rich and playful... (continued)
If you've heard Igor Krutogolov's solo track on the "Tel Aviv Aftermath" compilation, you might be somewhat prepared to hear what this release has to offer: a... (continued)
First release from this highly eclectic Israeli band that deliver a joyful combination of Jazz, Klezmer, Hardcore and cartoon sound effects. Somewhere... (continued)
Split release with 4 tracks from the Hollowing and 3 from Marspiter. The former shifts from cavernous noise ambient to aggressive tribal pieces, while Marspiter sticks to a... (continued)
The debut album from two young prolific musicians that meshes elements of IDM, noise, trip-hop and lush melodic electronics into a personal and inspiring piece of work. The best... (continued)
2005 Follow-up compilation to "Don't Touch my Car!!", featuring exclusive tracks by the Mile 329 roster (Naked Intruder, Neutralizing Force, LLDF, Wreathy and... (continued)
Part 5 of 7 in a series of releases dedicated to the band's hometown of Reutov. Pounding machine noises, loud choirs and alarm sounds form the basis of the first piece, while the... (continued)